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noise reduction should always be performed before sharpening

While creative sharpening can be thought of as just about any sharpening which is performed between capture and output sharpening, its most common use is to selectively sharpen regions of a photograph. This can be done to avoid amplifying image noise within smooth areas of a photo, or to draw viewer attention to specific subjects. For example, with portraits one may want to sharpen an eye lash without also roughening the texture of skin, or with landscapes, to sharpen the foliage without also roughening the sky.

The key to performing such selective sharpening is the creation of a mask, which is just a way of specifying where and by how much the creative sharpening should be applied. Unlike with the output sharpening example, this mask may need to be manually created. An example of using a mask for creative sharpening is shown below:

Image Used for Creative Sharpening

Move your mouse over the image to seeselective blurring applied to background

Sharpening Mask: Selective Sharpening Using a Mask

Top layer has creative sharpening applied;mask ensures this is only applied to the white regions.

To apply selective sharpening using a mask:

Sharpen Duplicate Create Mask Paint Mask Fine-Tune

Alternatively, sometimes the best technique for selectively sharpening a subject is to just blur everything else. The relative sharpness difference will increase — making the subject appear much sharper — while also avoiding over-sharpening. It can also lessen the impact of a distracting background. Move your mouse over the top left image to see this technique applied to the previous example.

Another way of achieving the same results is to use a brush, such as a history, "sharpen more" or blurring brush. This can often be simpler than dealing with layers and masks. Sometimes this type of creative sharpening can even be applied along with RAW development by using an adjustment brush in ACR or Lightroom, amongst others.

Overall, the options for creative sharpening are virtually limitless. Some photographers also apply BAGS Handbags Reed Krakoff 1MfZT
(aka "clarity" in Photoshop) during this stage, although one could argue that this technique falls into a different category altogether (even though it still uses the unsharp mask tool).

After capture and creative sharpening, an image should look nice and sharp on-screen. However, this usually isn't enough to produce a sharp print. The image may have also been softened due to Alyssa Draped Devor mwcXjg
. Output sharpening therefore often requires a big leap of faith, since it's nearly impossible to judge whether an image is appropriately sharpened for a given print just by viewing it on your computer screen. In fact, effective output sharpening often makes an on-screen image look harsh or brittle:

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Le tournage de La Bataille des Couples aura été fatal pour Hillary et Sébastien. En effet, ils sont rentrés de l'aventure séparés.

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Sébastien et Hillary se sont rencontrés sur le tournage des Princes et des Princesses de l’amour. Le coup de foudre a été immédiat. Malheureusement, Womens Basic Dress Springfield d31G6fgDn
pour conserver la flamme puisqu’ils ont rompu lors de leur séjour dans la Bataille des couples.

Hillary pointe du doigt le comportement de Sébastien

Et il n’y a pas qu’ avec Virginie qu’il y a eu des tensions ! En effet, rien n’allait entre elle et Sébastien.

«Un mois avant on était dans Moundir, on a enchaîné rapidement. Moundir c’était assez difficile pour moi, on était séparés. On s’est remis ensemble et on est restés ensemble jusqu’à la bataille des couples. Mais on était vraiment un couple fragile (…) Avec Seb on n’était pas en accord, il s’est senti poussé des ailes, il s’est embrouillé avec beaucoup de monde, ce qui m’a causé beaucoup de tort. On s’est un peu acharné sur un binôme, celui de Steven et Cassandra mais c’était pour la compétition», a-t-elle confié à Melty.

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Mais la réconciliation est-elle encore envisageable ? Celle qui a vécu une aventure compliquée a répondu:

«Parfois il n’y a pas d’explications, je pense qu’on n’était pas fait pour être ensemble tout simplement. Parfois il ne faut pas s’acharner et juste accepter que ça ne marche pas (…) On n’a plus du tout de contact aujourd’hui, on ne se remettra pas ensemble mais je lui souhaite tout le bonheur du monde. Je ne crache pas sur lui, on a été bien ensemble. mais chacun fait sa route aujourd’hui».

Bon et bien voilà qui a le mérite d’être clair ! Malgré leur rupture, la belle blonde a décidé de poursuivre son envie de vivre aux Etats-Unis afin d’apprendre l’anglais et d’ouvrir son propre institut. Souhaitons-lui bonne chance et que le meilleur gagne la compétition !

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Today's most talented and compelling musicians visit Musician's Spotlight to "talk shop" and give you a deeper insight into their music. Host and producer John Floridis brings his own musical expertise along with over a decade and a half of experience conducting interviews.

Guests on the show have included legendary musicians like B.B King; Alison Krauss; Lyle Lovett; Wilco; Brandi Carlile; Daryl Jones of the Rolling Stones; The Cowboy Junkies; Richard Thompson; Mary Chapin Carpenter; Bruce Cockburn; Shawn Colvin; and Chris Hillman of the Byrds; along with talented Montana artists like Jeni Flemming, Tom Catmull, Martha Scanlan, John Dunnigan, Jenn Adams, Jack Gladstone and Eden Atwood.

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is widely regarded as one of the most accomplished bass guitarists of his generation; he’s been named among the "Top 10 Bassists of All Time" by readers of Rolling Stone magazine. Wooten, who has released ten solo recordings, is a co-founder of the long-standing ‘blu-bop’ band, Béla Fleck and the Flecktones.

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